{"id":5068,"date":"2023-01-03T11:26:24","date_gmt":"2023-01-03T11:26:24","guid":{"rendered":"https:\/\/danceartsfaculty.com\/?p=5068"},"modified":"2023-01-17T11:03:24","modified_gmt":"2023-01-17T11:03:24","slug":"liliana-barros","status":"publish","type":"post","link":"https:\/\/danceartsfaculty.com\/en\/artists-teachers\/liliana-barros\/","title":{"rendered":"Liliana Barros"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Portuguese born Liliana Barros is an Independent \u00a0dancer and choreographer, based in Germany. Her choreographic works are described by a strong and intense scenic atmosphere.<\/p>\n

Highly visual, her work is characterized by the idiosyncratic aesthetics and movement language. Visceral and archaic combined with elegant plasticity and use of technical elements in a somewhat deconstructed form.<\/p>\n

Liliana has created several commissioned work for dance companies like NationalTheater Mannheim (GAIA, 2019) , Ballet des Saarl\u00e4ndisches Staatstheaters (My name is Legion, 2017),\u00a0\u00a0Junges Staatstheater Braunschweig (Funkelfuchs, 2018),\u00a0\u00a0Gauthier Dance Company (IN TANDEM, 2020),\u00a0\u00a0MiR Dance Company\u00a0\u00a0(PANORAMA , 2021),\u00a0\u00a0Dance Company Osnabruck (HIGH RELIEF,\u00a0 2021 ), Netherlands Dance Theater 2 ( GROTTO, 2022) and for TanzKassel, at Staatstheater Kassel (100Years 100Hearts_ Sleeping Beauty).<\/p>\n

NERVURE, a\u00a0very acclaimed\u00a0solo work, has won two prizes at SOLOCOREOGRAFICO Dance Show case in Torino as well as Best Performance award Copenhagen International Choreography Competition.<\/p>\n

NERVURE has been\u00a0invited to Frankfurt, to \u00a0the Lucky Trimmer \u00a0Festival at Sophiensaelle in Berlin, to TanzOFFensive Festival at Commedia Futura, in Hannover \u00a0and to DanceWaves Festival in Cyprus. NERVURE has also been presented in Dock11, \u00a0in Berlin, in a Double bill with the most recent solo PANTERA.<\/p>\n

NERVURE \u00a0has also toured to Taiwan and Malasya in 2019.<\/p>\n

2020 was the debut of her digital dance project INERTIA This was supported by the NATIONAL PERFORMANCE NETWORK – STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative.<\/p>\n

Liliana has been supported by the state of Niedersachsen for her Independent productions, like\u00a0 MEMORABILIA ( 2019)\u00a0 as well as for her production TECHNO FAUNA (2021).<\/p>\n

In Theater, she has also designed the stage and costumes for the theater production FaustKampft, a monologue after Goethe, premiered at Sparte4 , Saarl\u00e4ndisches Staatsheater \u00a0in 2012.<\/p>\n

In 2017, she has collaborated, as a choreographer, with the theater director Christopher Hanninger for the theater production “Allons, Enfants”.<\/p>\n

Liliana collaborated , as performer and assistant with the theater director Marta G\u00f3rnicka for the \u00a0production at M\u00fcnchener Kammerspieler JEDEM das SEINE. \u00a0For the Opera, Liliana has also collaborated as a choreographer with the director and stage designer \u00a0Ben Baur for La Boheme, at the Staatstheater Braunschweig.<\/p>\n

Liliana received her training at the BALLETEATRO Escola Professional and the Pirmin Treku Classical Ballet School in Porto before graduating with a BA in Dance from the\u00a0Rotterdam Dance Academy, CODARTS.\u00a0She has danced professionally with companies such as Compagnia Zappal\u00e1 Danza, in Sicily, under direction of Roberto Zappal\u00e1, Pretty Ugly Tanz K\u00f6ln, under direction of\u00a0Amanda\u00a0Miller, \u00a0Ballett des Saarl\u00e4ndisches Staatstheater, in Germany, under direction of Marguerite Donlon and later Stijn Celis and Compagnie Marie Chouinard, in Montreal.<\/p>\n

She has performed both existing works and creations \u00a0by Marguerite Donlon, Amanda Miller, Roberto Zappl\u00e1, \u00a0Itzik Galili, Stephan Thoss, Marco Goecke, \u00a0Marie Chouinard, \u00a0Kurt Joss, Stijn Celis, Johan Inger, \u00a0Jiri Kylian, \u00a0Alexander Ekman and others.<\/p>\n

In 2011, she has received the Sponsor Club Preis an Award for Best Dancer, for her outstanding performance in Le Sacre du Printemps, by Marguerite Donlon.<\/p>\n

She has created several works for the ensemble of the Ballet des Saarl\u00e4ndisches Staatstheaters such as: ILhektra, Persona, Claritas, Garden of Delight, Menagerie, Sentimental Animals and Collider\/Vainglory, within a early young choreographers production.<\/p>\n

Besides creating her work, she’s also teaching in several companies. Liliana is a certified GYROTONIC<\/b><\/span>\u00a9\u00a0trainer.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f0efdc” scene_position=”center” top_padding=”2%” bottom_padding=”2%” left_padding_desktop=”8%” right_padding_desktop=”8%” top_padding_tablet=”10%” bottom_padding_tablet=”15%” left_padding_tablet=”8%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”hidden” class=”bloccodinamico” advanced_gradient_angle=”0″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_color=”#000000″ shape_divider_position=”top” bg_image_animation=”none” shape_type=”straight_section” gradient_type=”default”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”0px” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” advanced_gradient_angle=”0″ gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid” gradient_type=”default”][vc_column_text css=”.vc_custom_1663578188282{margin-bottom: 20px !important;}”]THE DAF EXPERIENCE
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