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๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐
ย June 27 โ July 9, 2025
ย June 27 โ July 2
A pivotal moment in the professional journey of DAF students: an international committeeโcomprising directors and curators from prominent European theatre institutionsโwill engage in a cycle of observation and evaluation of the students’ choreographic creations developed within the program.
This protocol, active for over fifteen years, serves as a structured transition mechanism towards the professional realm, enabling the initial identification and activation of concrete opportunities for young artists.
ย July 4 โ 9
The choreographic work developed throughout the 2024/25 academic year will be presented to the public: over 150 performers involved, six days of performance programming, and more than 60 hours of original content. This presentation reflects the intensity of the process, marked by intricate research, phases of linguistic hybridization, and emerging authorship practices.
ย ๐๐ต๐ข๐ณ๐ต๐ช๐ฏ๐จ ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ช๐ด ๐ฆ๐ฅ๐ช๐ต๐ช๐ฐ๐ฏ, ๐ต๐ฉ๐ฆ ๐ฆ๐ฏ๐ต๐ช๐ณ๐ฆ ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ ๐ค๐บ๐ค๐ญ๐ฆ ๐ฎ๐ฆ๐ณ๐จ๐ฆ๐ด ๐ช๐ฏ๐ต๐ฐ ๐ต๐ฉ๐ฆ “๐๐๐ ๐ง๐ฒ๐บ๐ฝ๐ผ๐ฟ๐ฎ๐ฟ๐ ๐ฆ๐ฐ๐ฒ๐ป๐ฒ” ๐ฑ๐ณ๐ฐ๐ซ๐ฆ๐ค๐ต, ๐ฆ๐ฏ๐ท๐ช๐ด๐ช๐ฐ๐ฏ๐ฆ๐ฅ ๐ข๐ด ๐ข ๐ค๐ณ๐ช๐ต๐ช๐ค๐ข๐ญ ๐ฑ๐ญ๐ข๐ต๐ง๐ฐ๐ณ๐ฎ ๐ง๐ฐ๐ณ ๐ณ๐ฆ๐ง๐ญ๐ฆ๐ค๐ต๐ช๐ฏ๐จ ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ท๐ฆ๐ณ๐บ ๐ค๐ฐ๐ฏ๐ค๐ฆ๐ฑ๐ต ๐ฐ๐ง ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ฏ๐ค๐ฆ. ๐๐ฐ๐ต ๐ฎ๐ฆ๐ณ๐ฆ๐ญ๐บ ๐ข ๐ด๐ฉ๐ฐ๐ธ๐ค๐ข๐ด๐ฆ, ๐ฃ๐ถ๐ต ๐ข๐ฏ ๐ฐ๐ฑ๐ฆ๐ณ๐ข๐ต๐ช๐ฐ๐ฏ๐ข๐ญ ๐ด๐ฑ๐ข๐ค๐ฆ ๐ธ๐ฉ๐ฆ๐ณ๐ฆ ๐ต๐ฉ๐ฆ ๐ด๐ต๐ข๐จ๐ฆ ๐ญ๐ช๐ฃ๐ฆ๐ณ๐ข๐ต๐ฆ๐ด ๐ช๐ต๐ด๐ฆ๐ญ๐ง ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ณ๐ข๐ฅ๐ช๐ต๐ช๐ฐ๐ฏ๐ข๐ญ ๐ต๐ฉ๐ฆ๐ข๐ต๐ณ๐ช๐ค๐ข๐ญ ๐ค๐ฐ๐ฏ๐ด๐ต๐ณ๐ข๐ช๐ฏ๐ต๐ด ๐ข๐ฏ๐ฅ ๐ฆ๐น๐ต๐ฆ๐ฏ๐ฅ๐ด ๐ช๐ฏ๐ต๐ฐ ๐ฅ๐ช๐ท๐ฆ๐ณ๐ด๐ฆ ๐ข๐ฏ๐ฅ ๐ฎ๐ข๐ณ๐จ๐ช๐ฏ๐ข๐ญ ๐ค๐ฐ๐ฏ๐ต๐ฆ๐น๐ต๐ด, ๐ต๐ณ๐ข๐ฏ๐ด๐ง๐ฐ๐ณ๐ฎ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ฑ๐ฆ๐ณ๐ง๐ฐ๐ณ๐ฎ๐ข๐ต๐ช๐ท๐ฆ ๐ข๐ค๐ต ๐ช๐ฏ๐ต๐ฐ ๐ข ๐ด๐ช๐ต๐ถ๐ข๐ต๐ฆ๐ฅ ๐ฑ๐ณ๐ข๐ค๐ต๐ช๐ค๐ฆโ๐ข ๐ณ๐ฆ๐ญ๐ข๐ต๐ช๐ฐ๐ฏ๐ข๐ญ ๐จ๐ฆ๐ด๐ต๐ถ๐ณ๐ฆ ๐ค๐ข๐ฑ๐ข๐ฃ๐ญ๐ฆ ๐ฐ๐ง ๐ณ๐ฆ๐ข๐ค๐ต๐ช๐ท๐ข๐ต๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ฎ๐ฆ๐ข๐ฏ๐ช๐ฏ๐จ ๐ฐ๐ง ๐ฑ๐ญ๐ข๐ค๐ฆ๐ด.
ย Venues:
– June 27 โ July 2: Via di Pietralata, 159A
The performances will take place in DAF’s historic and identity-rich performance space.
– July 4 โ 9: Via dei Cluniacensi, 68
The project will transition to a new spatial configuration that mirrors the aspirations for openness and critical reconfiguration of the performative device.